On Saturday I went to the London International Film Festival to see a 'Panorama' of Estonian animated short films. This is because that is the kind of thing you do if you live in London, well about 50 people were there, which I suppose is hardly representative of the whole population of the capital, but a certain type of poncy arty type does, namely my mate Jonny who won the tickets by responding to an email from a mailing list he had happened to have signed up for.
Afterwards there was a talk with three of the animators. I've been rather disparaging about the whole thing so far, but it was kind of exciting. It felt exclusive and pretty personal, though on the other hand none of the films made the slightest bit of sense. This did cause a bit of a problem when it came to questions since the whole thing had clearly gone so far over everyone's heads that no one had any question that extended beyond, what the fuck (?).
I did kind of want to ask why this, why that, about the plots, or lack of them in the films, but kind of felt that this would probably elicit a response along the lines of, 'this is for you to work out', or 'meaning is very personal'. So I said nothing and a few pretentious people made simpering statements about how they felt that animation was exciting because it allowed people to access the same space as dreams etc. etc.
Actually these were in the same format as when the M.P. for Brown-nosingham stands up in the commons during Prime Minster's Questions and asks, "Does the Prime Minister agree with me when I say that he has a massive pair of balls, plus the charisma to get them out at a party and get away with it", the P.M replies with
"Yes and here they are" *waps out balls*. My response to this kind of sycophancy is to cringe and mutter fuck off you pretentious art school knob-head; credit to the Estonians, their response wasn't far off, they pretty just ignored them and carried on talking shite.
I did have one question, but only after they had talked a little about the way that funding was provided and it was about Economics not art so I kept stum because, by that point, I wanted them to take me back to Estonia and let me play cartoons with them and I'll tell you why.
They explained that in post communist Estonia the previous regimes restrictions on free speech has left such a bad taste, that whenever these guys put in a proposal for funding for an animation project they just say yes. They told us that they have never been refused funding for any of their projects even though there stuff is not popular in Estonia. My question would have been: do you think a profit motive would be an incentive for making more accessible animation. Should I have said this at this point I would probably have been pelted with Olive pits and slapped with a copy of the Guardian arts supplement.
Here is a picture from one of the animations, but first a brief synopsis of the plot so far. A man dripping water into a Perspex building, building collapses, water water, little match head man appears with a bucket, he is transported into a flower, which looks like it is attached to a kidney, is swimming in flower, bee turns up, matchstick man is then in a honeycomb structure and sees the below: what appears to be a multi titted Goddess lactating into bee eggs, the worker bees put the eggs in the comb and they become bees.
The man starts to drown in the milk, then a cat is drinking the milk and a woman gets in a bath, the cat gets in the bath with the woman, (she may be masturbating) before the matchstick men catch fire and a fetus appears. Surely the only sensible response to that is K(?).
I don’t want anyone to get the wrong idea, I’m not put off in fact I’m more intrigued. I want to go to Estonia, I think I always did, this has confirmed it. We have Estonians in Lee. There is even an Estonian supermarket, which is great. So far I have bought, Dill paste (haven't even opened that yet); cheap salami (I was enjoying that, then I realised it contained horse, then I continued to enjoy it); whey this looks like cheese (body builders buy whey powder, get the wetter version here). They also have this fridge full of weird and wonderful booze. The fridge is locked, though cold, which makes me suspect that special people are allowed access, but the official line is that they are waiting for a licence. (I suspect that they are waiting for the scientists from H.M. customs and excise to ascertain if it contains controlled substances).
My friend Ed is in Estonia at the moment and he is raving about it. He sent back pictures of the capital Tallinn and it looks amazing. From what I know about their animation maybe I will fit in nicely.
Is this a place where I will be less abstract than the average person? I have a test to see if I can fit in. If I can gain the trust of the supermarketeers and gain access to their booze fridge then, and only then, will I be ready for Estonia, so I guess it is more horse meat sandwiches for me then.
















